Amanda Apetrea (born in 1981 in Uppsala, Sweden) is a performer and choreographer based in Stockholm. In her work she integrates political theories such as feminism, sexpositivism, body positivism and queerutopism. Apetrea went to Ballet Academy in Stockholm and has a master in choreography from DOCH (University College of Dance and Circus), Stockholm.

Her works are marked by her a significantly feminist point of view that calls into question larger power structures of the modern world through the performance of western classical and cultural dance, spectacle and conceptual performance. Her current works challenge structures that restrain and inhibit the microcosm of the choreographic field as a reflection of society at large.

As Apetrea has continued to critically examine, integrate and inhabit the overlapping politically radical theoretical concepts (feminism, sex positivity, body positivity, queer utopianism, to name a few) her work has significantly hinged on the collaborative process, and ethos fostered with the ÖFA-collective that Apetrea co-founded in 2004 as well as Samlingen that started 2014. Some of these collaboratively authored works are: I Ass Jazz with Emma Tolander and Lisen Rosell, EDIE&EDIE with Emma Tolander, Beauty and the Beast with Halla Ólafsdóttir featuring Lisen Rosell and Chrisander Brun (jardin d’europe 2013 prize winner), DEAD with Ólafsdóttir, Samlingen - en danshistoria (Riksteatern) with Nadja Hjorton, Zoë Poluch, Stina Nyberg and Halla Ólafsdóttir, I’m a Very Understanding Woman and SPRINGITME with Mica Sigourney (SF, USA). Grottbjörnens Folk with Nadja Hjorton and Lisen Rosell.